Niels W. Gade
Albertinus, Aegidius
Comala (demonstrates advanced source descriptions)
Dramatisches Gedicht nach Ossian für Solo, Chor und Orchester
Comala
Dramatisk Digt efter Ossian
Opus 12
Demo 2
Autographenhandlung Hans
Adler
Dedicatee: King Christian VIII of
Denmark
This file may be used to illustrate the use of items and components for the description of sources. For instance, note the description of specific copies of a print separate from the general description of the print run (sources A, D etc.), and the description of sets of parts (H and J), giving a general description of the set as well as descriptions of the individual parts. Source J combines these two options to describe a printed set of parts and a specific copy of it.
Sources J and N also have reprint editions defined by means of relations between the sources.
Please note: The content of this file has been modified for demonstration purposes and does not represent accurate real-world data.
Composition: 1845–1846.
The autograph score is end-dated Leipzig den 11 Märtz 1846.
Comala, Fingal's beloved (S); Dersagrena, Comala's maid (MezzS); Melicoma, Comala's maid (A); Fingal, King of Morwen (Bar)
Music
Einleitung
[Indledning]
Tempo: Molto moderato
Metre: 𝄴No. 1. Chor der Krieger
und Barden
No. 1. Fingals
Krigere
Tempo: Andante – Allegro non troppo
Metre: 𝄴Frem, frem, frem, fremad til Kamp
No. 2
No. 2
Tempo: Andante – Più lento – Andante con moto
Metre: 𝄴Alt i Kvæld slaar jeg den stolte Konges Hær
Comala; Fingal
No. 3. Chor der
Krieger
No. 3. Fingals
Krigere
Tempo: Allegro non troppo
Metre: 𝄴Frem, fremad til Kamp, fremad til Kamp. Fingal fører til Seir.
No. 4
No. 4
Tempo: Andante – Andantino
Metre: 𝄴Hvor alt er tyst og stille. De svandt, de svandt de livsalige Drømme!
Comala; Dersagrena; Melicoma
No. 5. Ballade
No. 5. Ballade
Tempo: Andantino
Metre: 68
Suaran, den Lochlins Konge, drog over Bølgen blaa
Dersagrena; Melicoma
No. 6
No. 6
Tempo: Moderato – Allegro non troppo – Più allegro
Metre: 𝄴Ak! Snart er det Nat, alt Vinden suser i Granernes Top.
Comala; Dersagrena; Melicoma
No. 7. Chor der
Geister
No. 7. Fædrenes
Aander
Tempo: Allegro moderato
Metre: 𝄴Vi drage som Storm over Hede
Comala
No. 8
No. 8
Tempo: Andante
Metre: 24
O! o! sad jeg dog hist ved Caruns Vover!
Comala
No. 9. Chor der
Krieger
No. 9. Fingals
Krigere
Tempo: Andante
Metre: 𝄴Nu flygter den stolte Caracul, hans Ganger foer bort over Heden
No. 10
No. 10
Tempo: Andante con moto – Più vivace – Tempo I
Metre: 68
O stands den glade Seierssang, du Fingals Kriger ti, o ti!
Fingal
No. 11
No. 11
Tempo: Andantino – Maestoso
Metre: 34
Sorgens Taarer stille svæve om min Elsktes Hvilested.
Fingal
No. 12. Chor der Barden
und Jungfrauen
No. 12
Tempo: Allegro moderato e maestoso
Metre: 𝄵Høit fra Skyernes Krands skue de Henfarnes Aander
Sources
A: Printed score
2 folios; 171 paginated_pages; 34.1x27 cm.
Pl. no.16300.
Paperback, sewn, in grey cover. On the front cover is printed a list of Gade’s "Grössere Gesangwerke mit Orchesterbegleitung" published by Breitkopf & Härtel. The leaf following the title page contains the argument and the text (in German) with reference to page numbers. An unchanged lithographic reproduction of this first edition was published around 1893 with the plate number Part. B. 706.
-
Ag: Printed score, Gade’s personal copy
The dating 1887 is added in blue crayon on front cover, in Gade’s hand. The copy does not contain any annotations or additions except for a correction in pencil to the tenor parts in No.1, bar 87. Otherwise as A.
B: Autograph score, fair copy
Title page; 4 leaves; 162 pages; 33.2x26.6 cm.
In full cloth binding stamped COMALA. in gold on front cover. Hand-written label pasted on front cover inscribed Op. 12. / Comala / Partitur. Pagination is sporadic, pages 107-162 incorrectly paginated 106-161. At the end of the music on p. 161 [recte 162] is the dating Leipzig den 11 Märtz 1846 / Königstr: N o 16. At top of page 3 inscribed in runes ᚵᚢᚦ: ᚵᛁᚢᛅ: ᛚᚤᚴᚴᛅ: (GUD GIVE LYKKE).
test
Seite (unbeschrieben) Seite (unbeschrieben).
Written in ink (Gade). Additions pencil, blue crayon and red pen.C: Score, manuscript copy from Breitkopf & Härtel
228 pages; 35x27 cm.
In half binding; brown cardboard cover with green cloth on spine and corners. Label pasted on front cover stamped Mus-n / 1493. Stamped below the label: Fürstl. Bestand. Pp. 2-228 paginated in pencil. Both layers of additions are in the same hand, the ones in pencil apparently added first. Additions are mainly completions of dynamic indications, but also some exclusively performance-related. The first cut in No. 9 found in A and B was also applied in C as is apparent from pencil crosses on pp. 162 and 171 and from the bended corners of the pages in between. Condition: very good, few traces of use.Manuscript copy as sold by Breitkopf & Härtel between 1846 and 1889. Several other such publisher-made copies are known, though copied by different hands (D-Sl HB XVII 177; D-LEm PM 5044; I-OS Mss.Mus.A 8). Together with the score is an incomplete set of parts (14 manuscript parts: S.1 (2), S.2 (3), A.1 (2), A.2, T.1, B.1 (3), B.2 and cb., probably written by a local scribe, and 1 printed part: Dersagrena).
D: Vocal score, first edition
2 folios; 74 pages; 33x26 cm.
Pl. no.7540.
Pages 1-2 unpaginated, containing the argument and text (in German). Page 74 blank. The copies studied are in binding not retaining the original cover. The vocal score was announced as a novelty of "last week" in Signale für die musikalische Welt 4 (November 1846), p. 358, and in Hofmeister's Musikalisch-literarischer Monatsbericht in January 1847.
-
Dmf1: Vocal score, first edition, The Music Society's copy
pages; 33.6x26 cm.
Title page: Title on front cover (cut-out from original cover): Comala / von / GADE. / Op. 12. / Clavierauszug. / Leipzig, bei Breitkopf & Härtel. / Pr. 3 Thlr. 10 Ngr.Additions pencil (Gade and other) and black ink.In leather half-binding with marbled sides. Oval cut-out from the original cover pasted on front cover. Printed label pasted on front cover in lower left corner: Musikforeningens Archiv. / Claveer-Udtog., stamped 127 and with the title added in ink: Gade, N. W / Comala / (med underlagt dansk Text). Danish text added in ink throughout (probably in 1871). A few changes are added in pencil, in Gades hand. Numerous notes on the instrumentation added in pencil in an unknown hand. Very worn copy; lower corners missing from many pages. Otherwise as D.
-
Dmf2: Vocal score, first edition, The Music Society's copy
32.5x26.5 cm.
Additions pencil and blue crayon.In cloth quarter binding with marbled sides. Printed label pasted on front cover in lower left corner: Musikforeningens Archiv. / Claveer-Udtog. / B. N o . [added in ink:] 127; title added in ink: Gade / Comala. Danish Text added in pencil in at least three different hands and partly also in blue crayon. Otherwise as D.
F1: Printed vocal parts
32.4x26 cm.
Pl. no.7543.
Text in German.13 parts: Comala, Dersagrena, Melicoma, Fingal, Soprano I, Sopran II Solo, Sopran II, Alt I, Alt II, Tenor I, Tenor II, Bass I, Bass II. The parts were announced as a novelty of "last week" in Signale für die musikalische Welt 4 (November 1846), p. 358, and in Hofmeister's Musikalisch-literarischer Monatsbericht in January 1847.
-
Fg1: Printed vocal parts, Gade’s personal copy
Includes the choral parts only. Otherwise as FI .
-
Fmf1: Printed vocal parts, The Music Society's copy
98 parts: Comala (2), Melicoma (2), Fingal (2), Soprano I (12), Sopran II Solo, Sopran II (12), Alt I (11), Alt II (11), Tenor I (10), Tenor II (12), Bass I (12), Bass II (11). Incomplete; Dersagrena missing.Each part glued in a blue paper cover with the part's name and the number 127 or N. W. Gade / Comala added in ink. Danish text added in pencil, ink, or red ball pen to some of the solo parts: Comala (1), Melicoma (2), Fingal (2). In Fingal's parts, changes to a higher pitch in No. 2 (as in B) are added in pencil. One copy of Fingal's part has the Danish text added in ink, with numerous changes added in pencil (19th century?). The other copy has the Danish text added in red ball pen (20th century), retaining the changes made in pencil in the first copy.Otherwise as FI .
H: Manuscript vocal solo parts
5 parts: Comala, Dersagrena (2), Melicoma (2). Incomplete; Fingal missing. Dersagrena [1] and Melicoma [1] copied by the same scribe, presumably for the 1856 performance in Copenhagen. Dersagrena [2] apparently copied by the same scribe as Dersagrena [1] and Melicoma [1] for the first performance in Danish in 1871. Comala and Melicoma [2] are later copies (probably late 19th or early 20th century).
Dersagrena [1]2 bifolios; 32.9x24.9 cm. Written in brown ink on hand-ruled paper (12 staves). Glued in a blue paper cover. Text in German. Danish text partly added in black ink. Includes the passages originally to be sung by Melicoma. Danish text added later in ink and Melicoma's passages marked Melicoma. Some corrections in pencil (Gade?) |
Melicoma [1]3 folios; 32.9x24.9 cm. Written in brown ink on hand-ruled paper (12 staves). Glued in a blue paper cover. Text in German. |
Dersagrena [2]5 folios; 25x33.4 cm. Written in ink on hand-ruled paper (10 staves), oblong format. Sewn, in blue paper cover. Text in Danish. Includes the passages originally to be sung by Melicoma. Melicoma's passages later crossed out in blue crayon. |
Comala5 bifolios; 26x34.9 cm. Written in black ink on hand-ruled paper (8 staves), oblong format, unbound. Text in Danish. |
Melicoma [2]3 bifolios; 26x34.9 cm. Written in black ink on hand-ruled paper (8 staves), oblong format, unbound.Text in Danish. |
J: Printed choral parts with Danish text
26.6x34.3 cm.
4 parts: Soprani, Alti, Tenori, Bassi. First edition with text in Danish, probably printed by Horneman & Erslev for the first performance in Danish in 1871. Printed without plate numbers directly from the engraved plates. Two reprint editions of these parts were published.
Soprani4 pages. Title page: COMALA, Digt efter Ossian. SOPRANI. N. W. Gade. Op. 12.
|
Alti4 pages. |
Tenori6 pages. |
Bassi6 pages. |
-
Jmf: Printed vocal parts with Danish text, The Music Society's copy
150 parts: S (50), A (32), T (28), B (40). Some of the parts (29 + 19 + 14 + 22) are from the original edition without plate numbers, some from the first reprint (10 + 13 + 14 + 18), and additional 11 soprano parts are WH reprints. Three of the latter parts are stamped Dansk Koncert-Forening / København on first page. Some of the parts glued into blue paper cover.
First reprint
Pl. no.926.
The first reprint has the plate number 926 added, indicating that the plates were engraved for and published by Horneman & Erslev. In that case the plate number was probably added in 1874 (cf. Dan Fog: Musikhandel i Danmark, vol. II, p.182).
Second reprint
Pl. no.926.
The second reprint is a lithographic reproduction of the original plates, made after Wilhelm Hansen had taken over Horneman & Erslev in 1879 and published by Wilhelm Hansen as number WH 926. On the first page is printed in lower margin: Kjøbenhavn, Wilhelm Hansens Forlag. On the last page, in lower margin: Wilhelm Hansens Nodestik-og Tryk, Kjöbenhavn. The publisher's name seems to indicate that the parts were printed in 1879, since in that same year the name form Wilhelm Hansens Musik-Forlag was to become the one usually employed.
N: Excerpt, piano arrangement ("Ballade")
Engraver: C. Stange
2 pages; 32.8x26 cm.
Published in: Musikalsk Anthologie, vol. 1/I (February 1856), pp. 5-6. Piano arrangement without words of No. 5 in Comala, arranged by Gade.
WH reprint
1 bifolio; 34.5x27.1 cm.
Pl. no.2967.
Reprint by Wilhelm Hansen as a separate item with the plate number replacing the original publisher's information at the bottom of the first page.
Performances
23 Mar. 1846 | Gewandhaus, Leipzig (conductor: Gade; soloists: Fischer
(Comala); Franziska
Schwarzbach; Starke; Kindermann
(Fingal)). First performance. Reviews: Neue Zeitschrift für Musik, 30, 12 Apr. 1846, pp. 119-120. Signale für die musikalische Welt, 4/13, ?? 1846, pp. 98-99 (H. S.). |
26 Mar. 1846 | Gewandhaus, Leipzig (conductor: Gade). Reviews: Allgemeine musikalische Zeitung, 13, 1 Apr. 1846, pp. 225-228. Signale für die musikalische Welt, 4/14, Apr. 1846, pp. 105-106 (H. S.). |
1846-47 | Kassel (Cäcilien-Verein). |
24 Oct. 1850 | Düsseldorf (conductor: Robert
Schumann; soloists: Mathilde
Hartmann; Frl.
Kniffler; Frl.
Altgelt; Hr.
Platzhoff; Frau Lorent
(arp.)). Review: Rheinische Musik-Zeitung, 1/18, 2 Nov. 1850, p. 143 (H.). |
26 Nov. 1850 | Gürzenich, Köln (conductor: Ferdinand
Hiller). Review: 'Gade's Comala'. Rheinische Musik-Zeitung, 1/23, 7 Dec. 1850, pp. 177-181. |
17 Dec. 1850 | Musikforeningen, Copenhagen (conductor: Gade; soloists: Caroline Lehmann (Comala); Peter Schram (Fingal)). First performance in Denmark |
28 Apr. 1859 | Cincinnati
(US) (Cecilia
Society; conductor: Frederick Louis
Ritter; soloists: Mme. Rive
(Comala); Fanny Raymond
(Dersagrena); Mr. Kroell
(Fingal)). Review: Dwight's Journal of Music, XV/7, 14 May 1859, pp. 55-56 (J.A.D.). |
12 Apr. 1859 | Stadthaussaal, Weimar (conductor: Franz Liszt; soloists: Rosa von Milde (Comala); Frl. Behring (Dersagrena); Feodor von Milde or Carl Roth (Fingal)). |
6 Jan. 1863 | Liederkranz, New York
(US). Review: Dwight's Journal of Music, XXII/18, 31 Jan. 1863, p. 351. |
7 Mar. 1871 | Musikforeningen
(Casinos store sal), Copenhagen (conductor: Gade; soloists: Caroline Pfeil
(Comala); Anna Andersen
(Dersagrena); Erhard Hansen
(Fingal)). First performance in Danish Review: Nordisk Tidsskrift for Musik, 5, 17 Mar. 1871, p. 27. |
16 Nov. 1871 | Gewandhaus, Leipzig (soloist: Frl. Gips). Reviews: Allgemeine musikalische Zeitung, VI/48, 29 Nov. 1871, p. 763. Signale für die Musikalische Welt, 51, 17 Nov. 1871, p. 803. |
28 Apr. 1877 | Bach
Society, London (GB) (conductor: Otto
Goldschmidt; soloists: Helen
Lemmens-Sherrington (Comala); George Henschel
(Fingal)). Review: The Illustrated London News, 5 May 1877. |
9 Dec. 1887 | Musikforeningen, Copenhagen (conductor: Gade; soloists: Doris Hansen
(Comala); Beatrice Diderichsen
(Dersagrena); Fanny Gætje
(Melicoma); Niels Juel Simonsen
(Fingal)). Reviews: Nationaltidende, 4171, 10 Dec. 1887. Musikbladet, 4/22, 20 Dec. 1887, p. 82. William Behrend: 'Koncertsæsonens første Halvdel. (En kritisk Oversigt.)'. Tilskueren, 1888, pp. 184-193. |
Documents (selection)
Letters:
19 Dec. 1845 | from Niels W. Gade to Søren Nielsen Gade, Private collection. (Sørensen, Brevveksling 101) |
June 1847 | from Niels W. Gade to Ernst Weis, DK-KkDet Kongelige Bibliotek, København Collinske brevsamling III, 3. (Sørensen, Brevveksling 131) |
Jan. 1848 | from Niels W. Gade to Robert Schumann, D-DlSächsische Landesbibliothek - Staats- und Universitätsbibliothek (SLUB), Dresden Mus. Schu. 79. (Sørensen, Brevveksling 148) |
3 Feb. 1848 | from Clara Schumann to Niels W. Gade, DK-KkDet Kongelige Bibliotek, København NKS fol.folio A nr 494. (Sørensen, Brevveksling 152) |
28 Feb. 1848 | from Niels W. Gade to Søren Nielsen Gade, DK-KkDet Kongelige Bibliotek, København Acc. 2007/1. (Sørensen, Brevveksling 155) |
21 Jan. 1849 | from Niels W. Gade to Hermann Härtel, D-BStaatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung, Berlin Mus. Slg. Härtel 64. (Sørensen, Brevveksling 170) |
2 Mar. 1849 | from Niels W. Gade to Hermann Härtel, D-BStaatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung, Berlin Mus. Slg. Härtel 63. (Sørensen, Brevveksling 173) |
29 Oct. 1849 | from Niels W. Gade to Conrad Schleinitz, D-BStaatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung, Berlin N.mus.ep. 1666. (Sørensen, Brevveksling 175) |
21 Mar. 1851 | from Hans Matthison-Hansen to Niels W. Gade, DK-KkDet Kongelige Bibliotek, København NKS 1716 fol.folio A nr. 370. (Sørensen, Brevveksling 195) |
18 Dec. 1887 | from Niels W. Gade to Breitkopf & Härtel, D-DS Hessische Landes- und Hochschulbibliothek. (Sørensen, Brevveksling 1350) |
26 Feb. 1889 | from Breitkopf & Härtel to Niels W. Gade, DK-KkDet Kongelige Bibliotek, København NKS 1716 fol.folio A nr. 112. (Sørensen, Brevveksling 1386) |
14 Mar. 1889 | from Breitkopf & Härtel to Niels W. Gade, DK-KkDet Kongelige Bibliotek, København NKS 1716 fol.folio A nr. 113. (Sørensen, Brevveksling 1388) |
Other other:
James Macpherson: Fingal, an Ancient Epic Poem, in Six Books: Together with several other Poems, composed by Ossian the son of Fingal. Translated from the Galic Language, By James Macpherson. T. Becket & P. A. De Hondt: London 1762, pp. 87-94.
[James Macpherson]: Ossians Digte. Oversatte af Steen Steensen Blicher. Wahlske Boghandling: Kjøbenhavn [1807]: vol.1, pp. 15-27.
Other documentation
Letters:
9 Apr. 1846 | from Moritz Hauptmann to Franz Hauser (Schöne (ed.): Briefe von Moritz Hauptmann [...] an Franz Hauser, I (1871) 41f) |
July 1846 | from Louise Otto to Friedrich Theodor Vischer (Joeres: Die Anfänge der deutschen Frauenbewegung: Louise Otto-Peters 24) |
3 July 1848 | from Robert Schumann to Franz Brendel (F. Gustav Jansen (Hrsg.): Robert Schumann's Briefe. Neue Folge. Leipzig 1886 245) |
21 Feb. 1853 | from Sophie Gade to J.P.E. Hartmann, DK-KkDet Kongelige Bibliotek, København Acc. 2007/1. (Sørensen, Brevveksling 234) |
11 Feb. 1883 | from Ernst Rudorff to Joseph Joachim (Johannes Joachim & Andreas Moser (Hrsg.): Briefe von und an Joseph Joachim, Bd. 3. Berlin 1913 243) |
Diary entries:
28 Dec. 1845 | Hedwig von Holstein (Helene v. Vesque: Eine Glückliche. Leipzig 1902 38-39) |
28 Mar. 1846 | Robert Schumann (Gerd Nauhaus (Hrsg.): Robert Schumann. Tagebücher, Bd. 2. Basel/Frankfurt a.M./Leipzig 1987 398-399) |
Bibliography
'Niels W. Gade'. Die Grenzboten. Zeitschrift für Politik und Literatur, 9/47, 1850, pp. 809-816.
Zur Erinnerung an Dr. Julius Klengel für dessen Freunde, Schüler und Schülerinnen. Breitkopf & Härtel: Leipzig 1879, pp. 10-11.
Charles Kjerulf: Niels W. Gade. Til Belysning af hans Liv og Kunst. Gyldendalske Boghandel: Kjøbenhavn & Kristiania 1917, pp. 143-153.
Gerhardt Lynge: Danske Komponister i det 20. Aarhundredes Begyndelse. Erik H. Jungs Forlag: Aarhus / København / Kristiania 1917, pp. 195-196.
William Behrend: Minder om Niels W. Gade. J.H. Schultz: København 1930, pp. 2-3.
John Daverio: 'Schumann's Ossianic Manner'. 19th-Century Music, 21/3, Spring 1998, pp. 247-273.
Anna Harwell Celenza: The Early Works of Niels W. Gade. In search of the poetic. Ashgate: Aldershot / Burlington / Singapore / Sydney 2001.
Siegfried Oechsle: 'Die Musik Dänemarks in der deutschen Kritik 1843-1890', in: Vor Hundert Jahren: Dänemark und Deutschland 1864-1900. Gegner und Nachbarn ( 1981-82), pp. 137-142.
Dan Fog: N. W. Gade-katalog. En fortegnelse over Niels W. Gades trykte kompositioner. Dan Fog Musikforlag: København 1986, pp. 18-19.
Niels Martin Jensen: 'Niels W. Gade og den nationale tone', in: Dansk Identitetshistorie 3. Folkets Danmark 1848-1940 (C. A. Reitzel: København 1992), pp. 188-336 (259-266).
Matthias Wessel: Die Ossian-Dichtung in der musikalischen Komposition. Laaber-Verlag: Laaber 1994, pp. 116-123.
Inger Sørensen: Niels W. Gade. Et dansk verdensnavn . Gyldendal: København 2002.
Heinrich W. Schwab: 'Niels W. Gade und Clara und Robert Schumann. Dokumente ihrer künstlerischen Begegnung'. Musik & Forskning, 28, 2003, pp. 43-60.
Inger Sørensen (ed.): Niels W. Gade og hans europæiske kreds. En brevveksling 1836-1891. Museum Tusculanum: København 2008.
R. Larry Todd: 'Mendelssohn's Ossianic Manner, with a New Source – On Lena's Gloomy Heath', in: Mendelssohn Essays (Routledge: New York & London 2008), pp. 51-79.
File title:
Comala (demonstrates advanced source descriptions)
Series:
MerMEId demo files
File publication:
Danish Centre for Music Editing (DCM)
The Royal Library
Søren Kierkegaards Plads
1
P.O. Box 2149
DK - 1016 Copenhagen K
WWW: http://www.kb.dk
E-mail: mailto://kb@kb.dk
2013
Editor: Axel Teich Geertinger
Use for demonstration purposes
only
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